…exposed the nostalgia, sorrow, and hope that characterize music from the folkloric tradition of the Sephardic Jews.
Carlos Rafael Rivera went all Debussy when he sat down to compose the slow movement of The Whirler of the Dance. (Guitarist) Izquierdo placed it in soft moonlight.
Carlos Rafael Rivera’s score is probably the only TV music of the year that I can remember other than the music of ‘Stranger Things’— it’s that memorable and hooky.
Prominent in the first scene was a buzzing effect in the strings, and in the sober second a clarinet solo. The work ends with motoric and assertive music that recalls Stravinsky’s “Rite of Spring.” The performance was warmly received and Rivera was present to take a bow.
Pero de los estrenos, el mas aplaudido fue la Pizzi-Cuban Polka, en la que la famosa obra Pizzicato Polka, de Johan Strauss, con su distintivo pizzicato, cobro vuelos de danzón-salsa a golpe de claves, maracas y tumbadoras.
Composer Carlos Rafael Rivera layered a silky yet haunting string melody over the gritty images created by Method Studios, giving the Netflix drama a flair reminiscent of its premium channel competitors.
The score for the show was composed by film tv music composer Carlos Rafael Rivera and it was pretty f*$#% great.
...From the new recording were the complex rhythmic games of Carlos Rivera's Cumba-Quin--with the composer present for a well-deserved bow--...
The score for Godless is really excellent. It’s credited to composer Carlos Rafael Rivera, who previously did the score for another Scott Frank project, the Liam Neeson vehicle A Walk Among the Tombstones.
Even after six chapters, it’s testament to how good it all looks – and how evocative film tv composer Carlos Rafael Rivera’s score is – that you’ll never skip the opening credits.
Come for the top-shelf talent involved, stay for the lead performances, crisp photography, and lovely music (courtesy of T Bone Burnett and film TV composer Carlos Rafael Rivera).
…an explosive percussiveness...